Hi all. So as I was laying down the potatoe seed for next month's harvest, I realized that the blog may have become a little too serious for my taste (the other day we watched Carson Daly together and it didn't laugh at any jokes! Well, maybe that just makes the blog normal). So, I decided to do some investigation and come up with a new post that would differ somewhat from the previous two.
I found my answer on Newgrounds, oddly enough, where one user in particular inspired me to make this post. I didn't save the page or bookmark it, and now I can't find the guy again. Oh well. Credit to him (or her, I guess) anyway.
So a lot of buzz has come up about Taylor Swift lately, having won a bunch of awards including the Grammy for Album of the Year. Seriously. So I decided to take a look at one of the singles from that album (Fearless), "You Belong With Me". It freaked me out.
See, after carefully reading and re-reading the lyrics and paying attention to what she DOESN'T say in between the lines, I came to the conclusion that the music video is entirely misleading and diverts from the original intent of the song. Taylor has been known to make songs her fans can relate to, and that may have justified this gentle and benevolent music video that detracts from the obscene lyrics within.
Here's the song, and here are the lyrics. Take a while to read the lyrics first, then watch how the video takes them totally out of context.
...
Amazing, right? Just incredible. Now, for the 2 of you that didn't make the obvious leap I'm referring to, I decided to break Taylor's lyrics down so we can see her for what she really is: a delirious stalker. Yes, I would go as far as to suggest that the song be renamed "You Belong TO Me".
The lyrics can be broken up into 4 rough sections, which I entitled Enter the Stalker, A Hate-Filled yet Hopeful Contrast, Eulogy to the Victim and Despair. Let's take a gander at each.
Enter the Stalker: This song kicks off with a glimpse into what a typical stalker's life consists of - finding problems the victim has with his life and convincing him or herself that he or she (the stalker) is the solution to said problems.
You're on the phone
With your girlfriend
She's upset
She's going off about
Something that you said
'cause she doesn't get your humor
Like I do
Classic. One easily infers that Taylor has been tracking this boy's every move and is making mental note to herself of what he does, as if she is having an actual conversation with him (which she isn't, obviously, because the boy is on the phone). The video reproduces this scene well at the start, with her home conveniently placed across the street from the victim's, enabling her to effectively see anything he does until he shuts his drapes. It's interesting to note that Taylor had no feasible way to know that the victim's girlfriend is upset, since according to the video (despite it's debatable validity, as said before) she is in her house, with no means to overhear the conversation... getting there? That's right, the ever-so-strange country girl has obviously bugged the boy's phone. There's no way to tell from his facial expressions that she's upset, it could be just the boy who has an issue, or maybe they're having an amicable shouting match. And how the fuck does she get so specific as to know the reason she's upset? How can she possibly know she's upset about something the boy said without having bugged the phone? The last line closes the deal for her and effectively brands her as a stalker, deluding herself into thinking she'd be a better match for the victim than his girlfriend, yet come on, who wouldn't love a girlfriend that would partake in shouting matches? Fucking awesome.
I'm in the room
It's a typical Tuesday night
I'm listening to the kind of music
She doesn't like
She'll never know your story
Like I do
Ah, we have confirmation of the fact that she was indeed in her room, and thus she had to have bugged his phone. Creepy. Also we see she's done some recon work on the victim's soon-to-be ex-girlfriend (at least in little Taylor's fantasy world), jotting down her musical tastes and specifically adopting tastes that clash with them, just to give her some sense of superiority. Taylor shows incredible devotion to her stalk victim, in that she would willingly modify her pre-existing tastes just to differ from the girlfriend he presumably is uncomfortable with. There is no indication that she likes these songs, yet she suffers for her love. How sweet, if not terribly deranged. And, of course, she insists that the girl will never know "his story" like she does - proving that Taylor went the extra mile in this stalk by running a background check on the boy. Information is power.
The song starts off quite well, situating us inside the deluded mental abyss of Ms. Swift, and giving us a glimpse of the victim and the obstacle laying between them - the girlfriend. How will she cope with this dramatic situation? Let's move on to...
A Hate-Filled yet Hopeful Contrast: Well, Taylor had begun to set differences between herself and the girlfriend, as shown with the forced change of playlists on her iPod. Now, we'll be treated to further contrast between the two, as Taylor attempts to prove that her benefits outweigh the girlfriend's.
But she wears short skirts
I wear t-shirts
She's cheer captain
And I'm on the bleachers
Dreaming about the day
When you wake up and find
That what you're looking for
Has been here the whole time
Well, as any girly stalker would when faced with a problem, she bitches about it. You might think this is a solemn description of both their cases, perhaps even a sad referral to the fact that the girl is socially more advantaged (and probably physically too, since no one wears short skirts without having anything to show for it, right? Wait, I take that back. A certain beast forces me to). This would mean, of course, that your mind is tainted by the music video. Remember not to rely on that worthless garbage for anything I don't tell you to, it's clearly an attempt to salvage something from these botched-up lyrics. Now, if you'll take into account that this girl is, well, a psycho, and that she's established that she is more suitable for the boy, or be it, better than the girlfriend, there's no reason for her to admit defeat. In fact, it seems a lot more adequate to the song's theme that there be some underlying hatred towards the girlfriend in these distinctions. She never once admits the girlfriend's superiority, and attempts to paint her as a superficial bimbo with no psychological depth, while elevating herself to a platform of complexity, humility (as seen when she prefers to be on the bleachers rather than be a cheerleader) and creativity, as she imagines a perfect world where the boy will wake up one day and take the bleacher-girl over the cheerleading captain. Well, I'm all for true love and non-superficiality, but it seems to me that a cheerleader is a much safer choice than a pathological follower who remains in the shadows and lurks around in her room trying to glimpse into the boy's (unless you don't want STDs, in that case go with the creepy one).
The song isn't very well organized, with the sections I divided it into being split across the song. So, if you'll kindly scroll down a bit in the lyrics page, we can get to the second part of this section.
She wears high heels
I wear sneakers
She's cheer captain
I'm on the bleachers
Dreaming about the day
When you wake up and find
That what you're looking for
Has been here the whole time
Ah, here we have another comparison. Noting that she is clearly enfuriated with this cheerleader, she is only capable of making one further distinction before panicking and returning to what she previously stated. This is an obvious sign of a deluded woman making not very well thought out claims about someone she doesn't seem to know much about apart from her musical taste (didn't run a background check on her, it seems). The only other explanation I have is perhaps Alzheimer's or Bovine Spongiform Encephalopathy, which would actually fit the girl very well, considering that thus far she's done nothing but prove to us that she is, in fact, a mad cow.
This section allows us to feel the loathing Taylor feels for the girlfriend, and tries to make us despise that cheery bitch alongside the stalker, making her feel validated in her quest for hairs from the boy's shower drain. Of course, this part may also backfire, because after analysing it I only felt pity for little Taylor (and perhaps some fear). Nitidly this attempt to undermine the girlfriend's reputation isn't having much of an effect on the boy, so she resorts to ego-boosting tactics as we will see in...
Eulogy to the Victim: Now, Taylor tries to spout compliments and transmit her feelings for the boy, in very unsubtle fashion. Classic stalker, once again. Let's take a look.
Walking the streets
With you and your worn out jeans
I can't help thinking
This is how it ought to be
Laughing on a park bench
Thinking to myself
Hey, isn't this easy?
She starts off slow by paying indirect compliments to the boy, yet at the same time showing off that distinct mark of lunacy that has made her so lovable in society's eyes. For instance, she claims to be walking the streets with the boy, while paying close attention to his trousers - interesting that her eyes would be averted to the area of the groin. It appears we have the most dangerous kind of stalker on our hands, a sexual predator (much like the Tyrannossaurus Sex, only with longer forearms). Besides this, she seems to have convinced herself that the boy would agree to walk with her, when in fact it's much more likely taking into account the previous events that she is lurking in the shadows behind him, creeping up every now and then to whiff his perfume, violating countless restraining orders. She seems perfectly alright with this life of perversion, claiming that "this is how it ought to be". Perhaps she fears rejection from the boy, and prefers having his unwilling company without having to deal with it. She stresses that she's thinking a lot in this part of the section, possibly showing us that her stalking plans are all very well laid-out and thought through. So well, in fact, that she doesn't appear to have any trouble bugging the boy's phone, researching his backstory and his girlfriend, tracking him around everywhere while feasting her eyes on his crotch, as she tells us when she says, in the last line, "isn't this easy?". Clearly the work of a professional.
And you've got a smile
That could light up this whole town
I haven't seen it in awhile
Since she brought you down
You say you're fine
I know you better than that
Hey what you doing
With a girl like that
Now she goes for the kill, moving in the heavy compliment artillery. She starts by going after his smile, presumably because she knows he must have some sort of complex regarding it (after all, she had the opportunity to look into the boy thoroughly during his background check). She overstates that the boy's smile could light up the whole town. At least, I think it's an overstatement - a colleague of mine pointed out that she could, in fact, be stalking Shocker, and that the man's electricity could certainly provide light for a town of medium dimensions if he so chose to propagate it through his smile. Another person told me it could be Raichu. I doubt it, but only because Raichu is a mouse, and girls are afraid of mice. Always. Moving on, the girl, after highly praising the boy's facial expression formed by flexing muscles located on the corners of his mouth, she mentions that she hasn't seen it in a while. This could be because she tracks the boy from behind, and rarely gets a gander at his face, but it seems to be explained by the following line, "since she brought you down". She claims that the girl is an anchor around the boy's feet, weighing him down and preventing him from being truly happy. We can only take her word for it, of course. Her access to the phonecall at the very start of the song let us know that the girlfriend dislikes some of the boy's comments or jokes, so that could be helpful towards determining the boy's status. Of course, it is possible that the boy is an unfunny dick, or that their relationship is more profound than one that hangs in the balance just because the two have contrasting humouristic preferences. Nonetheless, Taylor feels certain that the boy is being held down by this cheer captain, and equally certain that she could, uh, hold him up. Apparently she must have overheard a conversation of his with somebody else, as he says "I'm fine" and she picks it up from behind the bush she's hiding in. Because, of course, being a pro, she would never reveal herself to the stalked victim. Unless by reveal yourself you mean naked in a trenchcoat. Hm. Why is that so appealling...
Finally, it seems that nothing is working for the poor girl. Background checks, bugs, surveillance, reconnaisance, defamation, praise, and the boy still won't drop his girlfriend for her. A good way around this would be to let him know she exists, but Taylor decides to mope around instead, being the classy girl that she is...
DESPAIR: Having run out of options, Taylor screams to the heavens, groans to herself and possibly chants the following lyrics in her personal boy-shrine she made.
If you could see
That I'm the one
Who understands you
Been here all along
So why can't you
See you belong with me
You belong with me.
There's no need to delve deep into this one, the despair is nitid. The boy obviously cannot see that she is "the one" for him, because she is too afraid of rejection to show herself. But even so she is convinced that she understands him, having had access to his personal file, records and probably underwear drawer, and emphasizes the fact that she's been there all along, which lets us know that she's probably been following this guy around for a long time. The despair is ever-growing as she comes to the realization that nothing she does is having the desired effect, so she screams "why can't you see you belong with me?" She pictures a lovely, Disney-esque future with him, sharing adventures, having children, growing old together, running background checks on the milkman, but it seems impossible for little Taylor. The poor girl is sobbing towards the end, repeating the nonsensical lyric "You belong with me". The tears and hiccups cannot be transposed into words, but they are clearly there.
If you could see
That I'm the one
Who understands you
Been here all along
So why can't you
See you belong with me
Standing by and
Waiting at your backdoor
All this time
How could you not know
Baby
You belong with me
You belong with me.
Further ahead in the song we have this gem, which deepens the psychological fissure fragilizing her already unstable mind. Once again showing signs of Mad Cow, she repeats her declaration of love to the shrine, adding that she's waited at the boy's backdoor for a long period of time. I'm going to assume this means the house's backdoor, because otherwise it's too disgusting (well, I wouldn't put anything past Taylor at this point). She's hid in the backyard of the boy's house waiting for him to wander obliviously by. It could be to kidnap him, but seeing as she is rather shy, it's probably just to get some more snaps, hairlocks and toenails for the shrine. Another sign of her feeble mind is the fact that, although she knows she's been hiding in the shadows and following him from afar, she seems surprised that the boy doesn't know of her true intentions. This makes her burst into tears once more, almost choking as she repeats the final line twice.
Oh, I remember
You driving to my house
In the middle of the night
I'm the one who makes you laugh
When you know you're about to cry
And I know your favorite songs
And you tell me about your dreams
Think I know where you belong
Think I know it's with me
Now, in a fit of rage, she begins constructing impossible situations in her mind, like the boy driving to her house when he doesn't even know who she is, let alone in the middle of the night. She seems to think she makes him laugh, although what she probably does is follow him around, and anytime someone else makes him laugh she derangedly takes credit for it, giggling to herself while pulling out her few remaining strands of hair. Also the fact that she insists she can make him laugh when he's about to cry is reminiscent of a mother comforting a baby by making it smile, which just brings dangerous Freudian notions into this catastrophe. She seems to know his favourite songs, which isn't that strange considering she knows that much about his live anyway, including his dreams which he allegedly tells her - this is obviously a psychological ploy she plays on herself, becoming convinced the boy told her when in fact she got the intel from several documents she compiled. If the boy told her, there would be no guilt, and little Taylor's mind is safe and comforted in the notion that the boy cares for her enough to tell her his dreams. Finally, she insists that he belongs with her, in a gruesome spectacle that has now become rather sad.
I could go on but as you can see it seems rather pointless, as the lyrical complexity doesn't go much further than this. The video has her showing up to prom in a gourgeous dress and totally dissing the girlfriend, possibly one of the many dreams Taylor had. It doesn't show the part where she kills her.
This just goes to show that we have the talented Taylor Swift Censor Team to thank for scrutinizing her lyrics and making a dandy little music video that will glue them together in a picturesque work of beautiful and humble art. Their work is truly appreciated considering other songs in the album named "Breathe", "Hey Stephen" and "Untouchable" (Platinum Edition). But that's enough creepy for one night.
See ya kids, got fields to plough.
The Cap'n.